| Special Note: The remainder of the scenes require some major acting. Be sure that you think these scenes through fully in the storyboarding stage. Try doing a series of thumbnail sketches on the upper corner of some animation paper and flip them to see if the action works properly. |
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| Sc#5 Sc#6 Sc#7 Sc#8 Sc#9 |
- This is a medium 3/4 downshot on Red as she settles into a stop at the side of the bed and she looks up towards the Wolf who is just o/s. The quilt is in the foreground. Red’s expression changes subtly to a quizzical look as she just begins to suspect, then she takes on a look of determination. Add some nice acting to this scene. - This shot will be a medium close up at the Wolf’s eye level. The Wolf with the quilt pulled up over his nose, his eyes (with Grandma’s glasses on) peek out. We can also see his night bonnet and ears sticking out. He blinks with a thoughtful look on his face as though thinking, “What do I say? What do I say?” He then replies coyly. - We pull back to show both characters in this medium long shot. Keep the horizon line at the Wolf’s head and cheat the camera more towards Red. Keep the Wolf turned towards the camera as well. Red with her hand on her chin, thinks for a second. She suspects that something is wrong. as she delivers her line she points to the Wolf’s ears and he shrinks back slightly. Matchcut to the next scene. - Match the position of the Wolf in this medium close up shot as he looks up towards his ears with his eyes only. He does a take realizing that his ears are sticking out, he pulls the covers up and over his head but now his nose is sticking out. Thinking he’s still safe, he replies to Red. - Treat this scene as a slight 3/4 downshot from her waist up.. Red, with her hands on her hips, now on to the fact that this is the Wolf. Red is quite angry here. |
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