| Sc#8 Sc#9 Sc#10 Sc#11 Sc#12 Sc#13 Sc#14 Sc#15 Sc#16 Sc#17 Sc#18 |
- Here Jekyll begins to lose it as he starts to rant. It is at this point that his mind has actually snapped. We need to pull out wider to show Jekyll holding the vial up above his head. - Here is that downshot that I was talking about in scene 1. I felt it would be more dramatic to put it in here. If I had a downshot as my establishing shot and used it here as well, it would be a bit redundant. This scene could have a bit of a truck out with a rotation. There could also be some thunder and lightning effects to add to the impact of the scene where he actually drinks the potion. - This is a reaction shot showing the vial dropping from Jekyll’s hand. The vial smashes on the desk top. - This is another reaction shot showing a dramatic close up of Jekyll’s eyes as he begins to have a physical reaction to the drinking of the potion. - We need to pull out to a wider shot now to show the physical reaction of Jekyll as he falls forward onto the desk and knocks over some of the lab equipment. - Here we’re pulling out to a wider shot to show Jekyll smashing even more of the equipment on his table. - We need to see some of the equipment smashing against the wall. - And some stuff smashing against the floor. - O.k., o.k. so now I’m being redundant. This could actually be just a standard longshot with the eye level at the character. - This shot moves in closer towards Jekyll as he pauses and begins to shudder and move into the next phase of his transformation. - A tighter shot to emphasize the pain that Jekyll is in. |
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